Facebook Page for ICBY

You probably know this. Facebook has over 500 million active users. But this was in July 2010. God knows how many more have been added on since then. It is a very active social network which helps you stay connected with your friends – irrespective of where they are or what they are doing:).  I have created a Facebook Page for It Can’t Be You ( or ICBY for short).

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Book Structure

A story like this needs to come from deep within the characters. This was the premise on which I started writing “It Can’t Be You”.  To give you, the reader, a sense of their thoughts and feelings, I chose to use the first person narrative for the most part of the book.

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The Book Title

“The note looked up almost accusingly at the group staring at it in shock. The Colonel’s first few words appeared to have been written in haste. Not in his clinically clean stylized handwriting. The last few words fell into an almost undecipherable scrawl which they could barely make out. It was almost illegible but it did look like the Colonel had written: “It can’t be you…”

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The Chetwode Motto

Many a saying has inspired people over generations. In the Indian Army, one of the most inspirational has been The Chetwode Motto. “The safety, honour and welfare of your country come first, always and every time. The honour, comfort and welfare of the men you command comes next. Your own ease, comfort and safety, come last always and every time”.

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” Call me General, dammit!”

It’s unfortunate but many of us civilians do not have much idea of ranks in the Defence Services. This leads to awkward – and often amusing – situations. Many years ago, someone from our organisation wrote to a retired Major General of the Indian Army who was the Chief Executive of a large industrial undertaking. Unfortunately, the letter was addressed to ” Major B…” Continue reading “” Call me General, dammit!””

Great Dialogue!

Every writer faces the challenge of writing engaging dialogue. Conversations in your story take it forward, explain many facts , bring out the speakers’ emotions and in general determine the pace of the story. Long winded conversations can put off the reader. Very cryptic ones can confuse them. How does one then write a great dialogue?

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